ESRA DOLUNAY<\/i><\/b><\/p>\n
Eserin Di\u011fer \u0130simleri: De\u011fi\u015fim , Metamorfoz<\/i><\/b><\/p>\n
Orijinal Ad\u0131: Die Verwandlung (Almanca)<\/i><\/b><\/p>\n
\u00c7eviren: G\u00fclperi Sert<\/i><\/b><\/p>\n
T\u00fcr : Uzun \u00f6yk\u00fc (Novella)<\/i><\/b><\/p>\n
Yaz\u0131m y\u0131l\u0131: 1912<\/i><\/b><\/p>\n
\u0130lk yay\u0131mlanma y\u0131l\u0131: 1915<\/i><\/b><\/p>\n
Sayfa say\u0131s\u0131: 67<\/i><\/b><\/p>\n
Bir sabah kendinizi, yata\u011f\u0131n\u0131zda kocaman bir b\u00f6ce\u011fe d\u00f6n\u00fc\u015fm\u00fc\u015f olarak bulsayd\u0131n\u0131z, ne yapard\u0131n\u0131z?<\/p>\n
\u201cGregor Samsa bir sabah huzursuz d\u00fc\u015flerinden uyand\u0131\u011f\u0131nda kendini yata\u011f\u0131nda kocaman bir b\u00f6ce\u011fe d\u00f6n\u00fc\u015fm\u00fc\u015f buldu.\u201d<\/p>\n
\u00a0\u00a0 \u00a0 <\/span>\u0130lk c\u00fcmleden itibaren, okuyanlar\u0131 d\u00fcnyas\u0131na \u00e7eken bu eser, Kafka\u2019n\u0131n en pop\u00fcler eseri olarak say\u0131l\u0131yor. \u00d6yk\u00fcde, ba\u015fkarakter Gregor Samsa bir sabah b\u00f6yle uyan\u0131yor. Ortalama 50 sayfay\u0131 bir solukta okuduktan sonra, edebiyata, insanl\u0131\u011fa, topluma bak\u0131\u015f\u0131n\u0131z de\u011fi\u015fiyor. Varolu\u015f kayg\u0131s\u0131n\u0131, insan ve toplum ele\u015ftirisini, ayn\u0131 zamanda yeni bir edebi bak\u0131\u015f\u0131, 50 sayfal\u0131k \u00e7arp\u0131c\u0131 bir \u00f6yk\u00fcye s\u0131\u011fd\u0131rm\u0131\u015f yazar. Ele\u015ftirmenlerin bu eser hakk\u0131nda 130 farkl\u0131 a\u00e7\u0131klamas\u0131 var. Herkesin okumas\u0131 gereken eserlerden biri. Metafor, sadece \u015fiirde kullan\u0131lmaz elbet. Bu eserde de b\u00f6cek metaforu ile, alegorik anlat\u0131mla yo\u011frulmu\u015f, toplumsal bir ele\u015ftiri g\u00f6r\u00fcyoruz. Kitab\u0131n kahramanlar\u0131 ise; Gregor Samsa, annesi, babas\u0131, k\u0131zkarde\u015fi, patronu, \u00fc\u00e7 kirac\u0131, evdeki hizmet\u00e7i ve hizmet\u00e7iden sonra gelen temizlik\u00e7i kad\u0131n.<\/p>\n \u00a0\u00a0 \u00a0 <\/span>Gregor\u2019un uykusundan bir b\u00f6cek olarak uyanmas\u0131yla beraber, onun g\u00f6z\u00fcyle \u00e7evreyi ve insanlar\u0131 g\u00f6r\u00fcyorsunuz. Asl\u0131nda, Gregor\u2019un d\u00f6n\u00fc\u015f\u00fcm\u00fcyle beraber en yak\u0131n\u0131 say\u0131lan ailesinin hatta daha sonra kendi d\u00fcnyas\u0131n\u0131n da d\u00f6n\u00fc\u015f\u00fcm\u00fcne \u015fahitlik ediyorsunuz. Aileden ve toplumdan d\u0131\u015flan\u0131\u015f, yabanc\u0131la\u015fma hatta kendine olan yabanc\u0131la\u015fmas\u0131n\u0131 izliyorsunuz. En yak\u0131n arkada\u015f\u0131 olan k\u0131zkarde\u015finin, d\u00f6n\u00fc\u015f\u00fcm\u00fcn ard\u0131ndan yava\u015f yava\u015f nas\u0131l kendinden uzakla\u015ft\u0131\u011f\u0131n\u0131, sevgiyi ve nefreti k\u0131saca sayfalar d\u00f6nd\u00fck\u00e7e d\u00f6n\u00fc\u015f\u00fcm\u00fc\u00a0 <\/span>ya\u015f\u0131yorsunuz. Anne merhametinin bile d\u00f6n\u00fc\u015f\u00fcme direnemedi\u011fini, herkesin i\u011frendi\u011fi bir canl\u0131ya d\u00f6n\u00fc\u015ft\u00fckten sonra kendini de art\u0131k unutmaya ba\u015flayan bir kahraman\u0131n ya\u015fant\u0131s\u0131na \u015fahitlik ediyorsunuz. T\u00fcm kitap boyunca her \u015fey bir kabus ya da r\u00fcya gibi geliyor. Kahraman\u0131n ayn\u0131 yatakta normal \u015fekilde uyanmas\u0131n\u0131 bekliyorsunuz. Sonu\u00e7 mu? Bunu kitab\u0131 okumak isteyenlere b\u0131rakmak gerek.<\/p>\n Kafka, kitab\u0131 i\u00e7in yay\u0131mc\u0131ya \u201cL\u00fctfen kapa\u011f\u0131na hamamb\u00f6ce\u011fi gibi bir \u015fey \u00e7izmeyin\u201d demi\u015ftir. Asl\u0131nda \u201cb\u00f6cek\u201d olarak \u00e7evrilen kelimede, Kafka\u2019n\u0131n tan\u0131mlayamad\u0131\u011f\u0131 bir \u015feye d\u00f6n\u00fc\u015fm\u00fc\u015ft\u00fcr kahraman. Bunu da belki en iyi, \u201cb\u00f6cek\u201d kelimesi ile ifade etti. Bu \u00f6yk\u00fcy\u00fc okuyunca ki\u015fisel d\u00fc\u015f\u00fcncem \u015fu oldu; sembolizm ve soyut d\u00fc\u015f\u00fcnceyle \u00f6r\u00fclm\u00fc\u015f bir \u00f6yk\u00fc yazmak m\u00fcmk\u00fcn. Hatta san\u0131lan\u0131n aksine bu tip bir \u00f6yk\u00fcn\u00fcn \u00e7ok okunmas\u0131 da m\u00fcmk\u00fcn. Tabi ki bunu Franz Kafka yaparsa. Ayr\u0131ca, ister kendi hayat\u0131n\u0131, toplumu ve ya t\u00fcm varolu\u015fu, her neyi ele\u015ftiriyorsa ele\u015ftirsin, her okurun zaman zaman toplumda bu hisse kap\u0131ld\u0131\u011f\u0131n\u0131 hat\u0131rlayabilece\u011fi bir eser.<\/p>\n \u00a0 \u00a0 <\/span>\u015eimdi, eserden bir ka\u00e7 al\u0131nt\u0131 ile tan\u0131t\u0131m\u0131 sonland\u0131ral\u0131m. Kitab\u0131 okumay\u0131 d\u00fc\u015f\u00fcnenlere iyi okumalar dilerim.<\/p>\n Al\u0131nt\u0131lar :<\/p>\n \u201cHerkes beraberinde ta\u015f\u0131d\u0131\u011f\u0131 bir parmakl\u0131\u011f\u0131n ard\u0131nda ya\u015f\u0131yor.\u201d<\/i><\/b><\/p>\n \u201c\u0130nsan\u0131 b\u00fcy\u00fckl\u00fc\u011fe g\u00f6t\u00fcrecek yol, ancak onun k\u00fc\u00e7\u00fckl\u00fc\u011f\u00fcnden ge\u00e7er.\u201d<\/i><\/b><\/p>\n \u201c\u0130\u00e7tenlikten uzak, asla s\u00fcreklili\u011fi olmayan insan ili\u015fkileri. Hepsi yerin dibine bats\u0131n!\u201d<\/i><\/b><\/p>\n \u201cM\u00fczikten b\u00f6ylesine etkilendi\u011fine g\u00f6re, bir hayvan olabilir miydi?\u201d<\/i><\/b><\/p>\n \u201cBir noktadan sonra geri d\u00f6n\u00fc\u015f yok! \u0130\u015fte tam o noktaday\u0131z.\u201d<\/i><\/b><\/p>\n \u201cSon zamanlarda ba\u015fkalar\u0131n\u0131 bu denli az d\u00fc\u015f\u00fcnmesine hemen hi\u00e7 \u015fa\u015fm\u0131yordu; eskiden d\u00fc\u015f\u00fcnceli olu\u015fuyla gururlan\u0131rd\u0131.\u201d<\/i><\/b><\/p>\n \u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014-<\/p>\n","protected":false},"excerpt":{"rendered":" ESRA DOLUNAY Eserin Di\u011fer \u0130simleri: De\u011fi\u015fim , Metamorfoz Orijinal Ad\u0131: Die Verwandlung (Almanca) \u00c7eviren: G\u00fclperi Sert T\u00fcr :<\/p>\n","protected":false},"author":1,"featured_media":1524,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[22],"tags":[],"yoast_head":"\n