{"id":1103,"date":"2020-06-01T00:24:32","date_gmt":"2020-06-01T00:24:32","guid":{"rendered":"https:\/\/www.sesdergisi.ca\/?p=1103"},"modified":"2020-06-08T20:13:26","modified_gmt":"2020-06-08T20:13:26","slug":"negro-sanatcilari-ve-harlem-ronesansi","status":"publish","type":"post","link":"https:\/\/www.sesdergisi.ca\/?p=1103","title":{"rendered":"NEGRO SANAT\u00c7ILARI ve HARLEM R\u00d6NESANSI"},"content":{"rendered":"

<\/span><\/p>\r\n

\u015eER\u0130F AYDIN<\/span><\/strong><\/h2>\r\n

\r\n<\/span><\/p>\r\n

Sanat\u0131n, \u015fiirin, m\u00fczi\u011fin g\u00fcc\u00fc bir toplumu esir s\u0131n\u0131f\u0131ndan al\u0131p d\u00fcnyan\u0131n ilgiyle izlenenen s\u0131n\u0131f\u0131na koyabilir mi? \u201cEvet\u201d veya \u201cHay\u0131r\u201d demeden \u00f6nce \u201cNew York\u2019un Harlem semtinde ba\u015flayan ve on senelik kadar bir zamanda d\u00fcnyaya kendini duyuran Harlem R\u00f6nesans\u0131\u2019<\/i><\/b>na bak\u0131n,\u201d derim. Negro Sanat\u00e7\u0131lar\u0131, Harlem R\u00f6nesans\u0131<\/i><\/b>\u00a0 <\/span>veya ba\u015fka bir ifadeyle \u201cYeni Siyahi Hareke<\/i><\/b>t\u201d\u2026\u00a0<\/span><\/span><\/p>\r\n

\u201cHarlem R\u00f6nesans\u0131 nedir, \u00f6nc\u00fcleri kimlerdir, neler ba\u015fard\u0131lar?\u201d gibi sorulara verilecek cevaplar san\u0131r\u0131m yukarda sordu\u011fumuz soruya cevap vermeye yard\u0131mc\u0131 olur.<\/span><\/p>\r\n

Harlem\u2019de 1920\u2019lerle 1930\u2019lar\u0131n ba\u015flar\u0131nda New York\u2019ta hayat bulan Afro\u2013Amerikan(Afrika as\u0131ll\u0131 Amerika\u2019l\u0131<\/i>) k\u00fclt\u00fcrel fark\u0131ndal\u0131\u011f\u0131n, sanata dair \u00fcretkenli\u011fin anlam\u0131d\u0131r Harlem R\u00f6nesans\u0131. Bilindi\u011fi \u00fczere bu yeniden do\u011fu\u015f i\u00e7in gereken ortam, k\u00f6leli\u011fin ve 1800\u2019lerdeki yeniden yap\u0131lanma d\u00f6neminin zorluklar\u0131na katland\u0131ktan sonra, \u00f6zg\u00fcrl\u00fcklerine\u00a0 <\/span>yeni\u00a0 <\/span>kavu\u015fmu\u015f\u00a0 <\/span>yakla\u015f\u0131k\u00a0 <\/span>\u00fc\u00e7 y\u00fczbin g\u00fcneyli siyahinin, veya nam-\u0131 di\u011ferle Afro-Amerikanlar\u0131n \u201cB\u00fcy\u00fck G\u00f6\u00e7\u201d \u201cGreat Migration\u201d<\/i><\/b> olarak da bilinen toplu g\u00f6\u00e7le New York ba\u015fta olmak \u00fczere di\u011fer Kuzey \u015fehirlerine ta\u015f\u0131nmas\u0131yla olu\u015ftu. Bir taraftan y\u0131llarca s\u00fcren k\u00f6lelik ve ezilmi\u015flik, \u00f6b\u00fcr taraftan capcanl\u0131 bir k\u00fclt\u00fcrel \u00f6zge\u00e7mi\u015f. Bu iki tezad adeta Harlem\u2019de k\u0131v\u0131lc\u0131m al\u0131r.<\/span><\/p>\r\n

Negro sanat\u00e7\u0131lar\u0131 ad\u0131 verilen \u015fair, yazar, m\u00fczisyen, ressam, heykeltra\u015f gibi co\u015fkun bir ekip New York\u2019tan d\u00fcnyaya bir dalga ba\u015flat\u0131rlar. M\u00fcthi\u015f bir \u00f6zg\u00fcven, gayret, enerji ve \u00fcretkenlik\u2026 Kendi renkleriyle, desen ve motifleriyle Amerika\u2019da yeniden do\u011fan bu ak\u0131m kolay b\u00fcy\u00fcm\u00fc\u015f gibi g\u00f6r\u00fcnse de ortaya \u00e7\u0131k\u0131p canl\u0131 bir s\u00f6ylem kazanmas\u0131nda Afro-Amerikan tarih\u00e7i E.B. Dubois ve \u015fair Langston Hughes gibi sanat\u00e7\u0131lar\u0131n gayretleri b\u00fcy\u00fckt\u00fcr. B\u00f6yle bir hareketin ba\u015flat\u0131lmas\u0131 i\u00e7in zengin bir k\u00fclt\u00fcrel ge\u00e7mi\u015f ve \u00f6zg\u00fcrl\u00fc\u011fe susam\u0131\u015f bir kitle avantaj olsa bile dezavantajlar da az de\u011fildir.\u00a0 <\/span>O d\u00f6nemde Amerika\u2019n\u0131n g\u00fcneyinde bask\u0131n bir zenci-fobia k\u00fclt\u00fcr\u00fc ya\u015fan\u0131rken\u00a0 <\/span>ayn\u0131 zamanda esirlik -her nekadar kald\u0131r\u0131lm\u0131\u015f olsa da- beyaz ve siyahi toplumun genlerinden daha at\u0131lm\u0131\u015f de\u011fil.\u00a0 <\/span>Amerika\u2019n\u0131n kuzeyi demokrasi ve \u00f6zg\u00fcrl\u00fck a\u00e7\u0131s\u0131ndan g\u00fcneye g\u00f6re daha iyi bir konumda olunca r\u00fczgar bu ak\u0131m\u0131 Kuzey\u2019de ye\u015fermeye iter adeta.<\/span><\/p>\r\n

Peki, ilk k\u0131v\u0131lc\u0131m\u0131 neydi bu ak\u0131m\u0131n? Harlem r\u00f6nesans\u0131\u2019n\u0131n temeli b\u00fcy\u00fck \u00f6l\u00e7\u00fcde, Afro-Amerikan tarih\u00e7i E.B. Dubois taraf\u0131ndan at\u0131ld\u0131 denebilir.\u00a0 <\/span>Dubois, The Souls of Black Folk<\/i><\/b> (1903) adl\u0131 sosyolojik eseri ve 1909\u2019da Siyahlar\u0131 Geli\u015ftirme Ulusal Derne\u011fi<\/i><\/b>\u2019nin kurulu\u015fundaki rol\u00fcyle tan\u0131nmakla birlikte\u00a0 <\/span>\u00e7\u0131kard\u0131\u011f\u0131 The Crisis<\/i><\/b> (Kriz) isimli dergiyle de tan\u0131nmakta. Dubois<\/i><\/b>\u2019in bu dergi hamlesi \u00f6nemliydi, zira siyahi kalemlerin kendilerini \u00f6yk\u00fc, \u015fiir ve \u00e7izimlerle ifade ettikleri bu dergi k\u0131sa bir zaman i\u00e7inde 100 bin traja ula\u015f\u0131r. Okuruyla, yazar\u0131yla, destek\u00e7ileriyle bu \u00f6nemli kitle \u201cNew Negro Movement<\/i><\/b>\u201d diye isimlendirilen\u00a0 <\/span>Yeni Negro Hareketini ba\u015flatm\u0131\u015f olur.<\/span><\/p>\r\n

Bu hareket \u00f6zg\u00fcn olarak ba\u015flad\u0131 ve \u00f6zg\u00fcn olarak devam edecekti. Ne ge\u00e7mi\u015flerini inkar ediyorlard\u0131 ne gelece\u011fe dair hayallerine engel koyuyorlar.\u00a0 <\/span>Bu devre, hareketin \u00f6nc\u00fclerinden olan Langston Hughes\u2019un \u015fiirinden bakal\u0131m isterseniz.\u00a0<\/span><\/span><\/p>\r\n

Resim \u00e7izer gibi hem hali, hem hayallerini anlat\u0131yordu Hughes:<\/span><\/p>\r\n

\u201cBen de\u2026<\/i><\/b><\/span><\/p>\r\n

ben de amerika\u2019y\u0131 \u00f6verim.<\/i><\/b><\/span><\/p>\r\n

ben en esmer karde\u015finiz.<\/i><\/b><\/span><\/p>\r\n

misafirler geldi\u011fi zaman<\/i><\/b><\/span><\/p>\r\n

mutfa\u011fa dehliyorlar yemekte beni.<\/i><\/b><\/span><\/p>\r\n

ama ben buna g\u00fcl\u00fcyorum<\/i><\/b><\/span><\/p>\r\n

karn\u0131m\u0131 doyuruyorum g\u00fczelce<\/i><\/b><\/span><\/p>\r\n

b\u00fcy\u00fcy\u00fcp kuvvetleniyorum.<\/i><\/b><\/span><\/p>\r\n

yar\u0131n<\/i><\/b><\/span><\/p>\r\n

masan\u0131n ba\u015f\u0131na ge\u00e7ip oturaca\u011f\u0131m<\/i><\/b><\/span><\/p>\r\n

misafirler geldi\u011fi zaman<\/i><\/b><\/span><\/p>\r\n

kimse cesaret edip de<\/i><\/b><\/span><\/p>\r\n

\u201chadi sen mutfakta ye\u201d<\/i><\/b><\/span><\/p>\r\n

diyemeyecek.<\/i><\/b><\/span><\/p>\r\n

bir ho\u015f g\u00f6r\u00fcverecekler yanlar\u0131nda beni<\/i><\/b><\/span><\/p>\r\n

utanacaklar da…”<\/i><\/b><\/span><\/p>\r\n

Harlem R\u00f6nesans\u2019\u0131 s\u0131radan bir sanatsal hareket de\u011fildi, yeniden do\u011fu\u015f, k\u00f6klere d\u00f6n\u00fc\u015f anlamlar\u0131n\u0131 da ta\u015f\u0131yordu. Amerika\u2019n\u0131n 20. Y\u00fczy\u0131ldaki burjuva bask\u0131s\u0131na kar\u015f\u0131 sanat\u0131n diliyle kendi de\u011ferleriyle var olma ve sosyal yap\u0131da yerini almayd\u0131. D\u00fcnyay\u0131 etkisi alt\u0131na alan bu do\u011fu\u015f hareketi Avrupal\u0131 sanat\u00e7\u0131lara ilham verdi\u011fi gibi d\u00fcnyan\u0131n bir\u00e7ok yerinde sanat-<\/span><\/p>\r\n

sal dirili\u015fleri de tetikledi. \u0130\u015fte Negro Sanat\u00e7\u0131lar\u0131\u2019n\u0131n kendileri olarak sahaya inip d\u00fcnya sahnesinde yerini almalar\u0131 bu a\u00e7\u0131dan \u00f6nemli. Siyahi sanat\u00e7\u0131lar\u0131n d\u0131\u015f\u0131ndaki kalem, f\u0131r\u00e7a ve nota erbab\u0131 sanat\u00e7\u0131lar da bu ak\u0131ma kar\u015f\u0131 sessiz kalamad\u0131lar. \u00c7\u00fcnk\u00fc ak\u0131m g\u00fc\u00e7l\u00fcyd\u00fc, \u00f6zg\u00fcnd\u00fc, enerjikti\u2026<\/span><\/p>\r\n

Resimlerini Harlem sokak duvarlar\u0131na \u00e7iziyor, m\u00fcziklerini kendi ritimleriyle caz barlarda seslendiriyor, \u015fiirlerini resim canl\u0131l\u0131\u011f\u0131yla yazarken sokaklardaki bu hareketli ya\u015famlar\u0131n\u0131 \u00f6yk\u00fcye d\u00f6k\u00fcyor ve \u00f6yk\u00fc yazarlar\u0131na da ilham oluyorlard\u0131.<\/span><\/p>\r\n

Dubois gibi \u00f6nemli sanat\u00e7\u0131lar bu siyahi heyecanl\u0131 kitlenin kendilerine \u00f6zg\u00fc bir ritim meydana getirmeleri i\u00e7in esin kayna\u011f\u0131 oluyorlard\u0131 adeta.<\/span><\/p>\r\n

\u015eiir, bu devrin en g\u00f6ze \u00e7arpan t\u00fcrlerindendir ve bu alanda pek \u00e7ok eser verilir. Kimileri geleneksel \u015fiiri kullan\u0131rken, Langston Hughes gibi \u00f6nde olan baz\u0131 \u015fairler daha yeni olan ritimleri denerler. O d\u00f6nemde yeni yeni meydana \u00e7\u0131kan caz m\u00fczi\u011finin ritimlerini \u015fiirlerine yans\u0131t\u0131rlar.<\/span><\/p>\r\n

Negro sanat\u00e7\u0131lar\u0131n\u0131n ba\u015flatt\u0131\u011f\u0131 ak\u0131m\u0131n en alk\u0131\u015flanacak taraflar\u0131ndan biri de kendi de\u011ferlerinden utanmadan b\u00fcy\u00fck bir \u00f6zg\u00fcvenle meydana \u00e7\u0131km\u0131\u015f olmalar\u0131d\u0131r. Hughes\u2019un 1920\u2019de kaleme ald\u0131\u011f\u0131\u00a0 <\/span>The Negro Artist and the Racial Mountain <\/i><\/b>(Negro Sanat\u00e7\u0131 ve Irk Da\u011f\u0131) adl\u0131 makalesinde, zenci olarak yazman\u0131n, zenci olarak \u015fark\u0131 s\u00f6ylemenin\u00a0 <\/span>ve resim yapman\u0131n \u00f6nlerinde b\u00fcy\u00fck bir engel gibi g\u00f6r\u00fcnse de bunu a\u015fma azminde olduklar\u0131n\u0131n alt\u0131n\u0131 \u00e7izer.\u00a0 <\/span>Bu s\u00f6ylemin en g\u00f6ze \u00e7arpan \u00f6zelli\u011fi ise bir manifesto havas\u0131nda de\u011fil, ritmini tutturmu\u015f sanat\u00e7\u0131 edas\u0131yla s\u00f6ylenmi\u015f olmas\u0131d\u0131r. \u201cBiz \u00fcreten gen\u00e7 Negro sanat\u00e7\u0131lar, kara benli\u011fimizi korku ve utan\u00e7 duymadan ifade etmek niyetindeyiz. Bundan beyaz insanlar memnun olursa biz de memnun oluruz. Olmazlarsa \u00f6nemli de\u011fil. G\u00fczel oldu\u011fumuzu biliyoruz ve \u00e7irkin oldu\u011fumuzu da…<\/i>\u201d diyordu, Hughes.\u00a0<\/span><\/span><\/p>\r\n

Bu g\u00fcle\u00e7 y\u00fczl\u00fc g\u00fc\u00e7l\u00fc \u015fair, bir k\u0131s\u0131m zencilerin beyazl\u0131\u011fa do\u011fru bir d\u00fcrt\u00fc i\u00e7inde \u201c\u015fair olmak istiyorum, ama zenci \u015fair de\u011fil\u201d arzusunun anla\u015f\u0131labilir oldu\u011funu s\u00f6yler ve der ki \u201cbu, ger\u00e7ek bir Negro sanat\u0131n\u0131n yolu \u00fczerinde duran bir da\u011fd\u0131r.\u201d Bu da\u011f\u0131 m\u00fczik, resim,\u00a0 <\/span>\u015fiir ve \u00f6yk\u00fcl\u00fcrle eritti bu g\u00fc\u00e7l\u00fc ak\u0131m. Harlem R\u00f6nesans\u0131 ve Negro sanat\u00e7\u0131lar\u0131 ile zenci toplumuna bir kabul duygusu geldi; Harlem\u2019e cesaret geldi. Langston Hughes\u00a0 <\/span>gibi \u00f6nc\u00fclerin \u201ckorku ve utanma ya\u015famadan kendi \u00f6z koyu tenlerimizle kendimiz ifade etmek…\u201d s\u00f6ylemi ve Alain Locke\u2019un antolojisi The New Negro bu k\u00fclt\u00fcrel devrimin temel ta\u015f\u0131 olarak kabul edildi. Kendi renk ve seslerini olu\u015fturan bu ak\u0131m, seslerini d\u00fcnyaya duyurmakla kalmad\u0131 zenci \u015fiirinden ka\u00e7\u0131\u015f\u0131n\u00a0 <\/span>da \u00f6n\u00fcne ge\u00e7mi\u015f oldu. Kad\u0131n yazarlar\u0131n da bu sahada etkin harekettiklerini, kalem oynatt\u0131klar\u0131n\u0131 g\u00f6r\u00fcrs\u00fcn\u00fcz. Zora Neale Hurtson<\/i><\/b> ve Nella Larsen<\/i><\/b> kad\u0131n yazarlar\u0131n ba\u015f\u0131nda gelenlerden.<\/span><\/p>\r\n

Caz barlarda ayr\u0131 canl\u0131l\u0131k vard\u0131. Cab Calloway gibi hem oyuncu hem de \u015fark\u0131c\u0131 olan baz\u0131 sanat\u00e7\u0131lar m\u00fcthi\u015f performanslar\u0131yla kitleyi b\u00fcy\u00fcl\u00fcyordu. Enerjik ve ne\u015feli, ayn\u0131 zamanda son derecede yenilik\u00e7iydiler. Ressamlar, heykeltra\u015flar da bu ak\u0131m\u0131n i\u00e7inde yerini alm\u0131\u015ft\u0131 hem de en g\u00fc\u00e7l\u00fc tonlar\u0131yla. Heykeltra\u015f olan Sargent Claude\u00a0 <\/span>Johnson \u00e7\u00f6mlek, seramik ve bask\u0131 sanat\u0131 \u00fczerinde \u00e7ok k\u0131ymetli eserler verirken Charles Altson Harlem duvarlar\u0131n\u0131 s\u00fcsl\u00fcyordu. D\u00fc\u015f\u00fcnsenize bu \u00a0 <\/span>sokaklardan matbaalardan evlerine i\u00e7ine akan sinerjiyi. Bir karnaval havas\u0131nda do\u011fu\u015f de\u011fil de nedir Harlem r\u00f6nesans\u0131?\u00a0<\/span><\/span><\/p>\r\n

M\u00fczikte Caz ve Blues esas parlamay\u0131 Harlem\u2019de yapt\u0131. Luis Armstron, Duke Ellington Faths Waller, Bessie Smith ve beyazlar\u0131n \u0131r\u00e7\u0131 sald\u0131ral\u0131r\u0131na hedef olsa da yoluna devam eden Paul Robeson sanat d\u00fcnyas\u0131n\u0131n unutulmazlar\u0131 aras\u0131nda yerlerini ald\u0131lar. Cotton Club caz m\u00fczi\u011fiyle bu sanat\u00e7\u0131lar\u0131n performanslar\u0131na sahne oluyordu.<\/span><\/p>\r\n

Devre h\u0131z katan en \u00f6nemli \u00f6zelliklerden biri de m\u00fczik ile edebiyat\u0131n i\u00e7 i\u00e7e olmas\u0131yd\u0131, zira her iki alanda da sanat\u00e7\u0131lar birbirlerine ilham kayna\u011f\u0131 oldu. M\u00fczik \u015fiiri besledi, \u015fiir m\u00fczi\u011fin ritminde sat\u0131rlara d\u00f6k\u00fcld\u00fc. Bu iki sanat alan\u0131n\u0131n hitap etti\u011fi kitle ise ge\u00e7mi\u015fin k\u00fclt\u00fcrel zenginli\u011fini bu ritimler \u00fczerinde adeta raks eder gibi takip etti. Harlem bu d\u00f6nemde Afro-Amerikanl\u0131lar taraf\u0131ndan i\u015fletilen yay\u0131nevleri ve gazeteler, m\u00fczik \u015firketleri, tiyatrolar, gece kul\u00fcpleri ve kabarelerle doldu ta\u015ft\u0131. \u00d6nemli bir noktaya dikkat \u00e7ekmek istiyorum, esaretten yeni \u00e7\u0131km\u0131\u015f bu g\u00f6\u00e7men psikolojisi nas\u0131l oldu da bu denli sinerjiye d\u00f6n\u00fc\u015ft\u00fc. Yukarda bahsetti\u011fim zengin k\u00fclt\u00fcrel ge\u00e7mi\u015f ve \u00f6zg\u00fcrl\u00fc\u011fe susam\u0131\u015fl\u0131\u011f\u0131n yan\u0131s\u0131ra avantaj olan baz\u0131 y\u00f6nlere de bakmakta fayda var. Harlem\u2019de sadece yoksul siyahlar de\u011fil, sanat\u00e7\u0131lar, entelekt\u00fceller, yazarlar ve onlar\u0131 finanse edebilecek hali vakti yerinde siyahiler de ya\u015f\u0131yordu.\u00a0<\/span><\/span><\/p>\r\n

Sadece Afro-Amerikan sanat\u00e7\u0131lar\u0131 de\u011fil, di\u011fer toplumlardan sanat\u00e7\u0131lar da Harlem\u2019deki bu d\u00f6n\u00fc\u015f\u00fcm\u00fc g\u00f6r\u00fcnce mahalledeki de\u011fi\u015fimi \u015fiir ve \u00f6yk\u00fcleriyle dile getirdiler.\u00a0<\/span><\/span><\/p>\r\n

\u015eiir yaz\u0131l\u0131yor, \u00f6yk\u00fcler kaleme al\u0131n\u0131yor, \u015fark\u0131lar s\u00f6ylenip, re-<\/span><\/p>\r\n

simler yap\u0131l\u0131yordu. \u0130lk etapta g\u00f6ze soft bir hareket g\u00f6r\u00fcnse de ilerki zamanlarda g\u00f6r\u00fclecek bu bunlar bir toplumu aya\u011fa kald\u0131ran ve onlar\u0131 d\u00fcnyaya kabul ettiren \u00e7ok \u00f6nemli arg\u00fcmanlar, enstr\u00fcamanlarm\u0131\u015f.\u00a0<\/span><\/span><\/p>\r\n

Hughes\u2019in \u201cZenciyim Ben\u201d \u015fiirinde toplumun geldi\u011fi yeri\u00a0 <\/span>\u00e7ok net g\u00f6r\u00fcrs\u00fcn\u00fcz.<\/span><\/p>\r\n

\u201cZenciyim Ben<\/i><\/b><\/span><\/p>\r\n

Zenciyim ben<\/i><\/b><\/span><\/p>\r\n

Gece gibi<\/i><\/b><\/span><\/p>\r\n

Afrika\u2019n\u0131n derinlikleri gibi kara<\/i><\/b><\/span><\/p>\r\n

K\u00f6leydim her zaman<\/i><\/b><\/span><\/p>\r\n

Saray basamaklar\u0131n\u0131 temizledim eski Roma\u2019da\u201d<\/i><\/b><\/span><\/p>\r\n

Ba\u015fta sordu\u011fum soruya cevap vereyim. Kalem, f\u0131r\u00e7a ve notalar bir toplumu aya\u011fa kald\u0131racak \u00e7ok g\u00fc\u00e7l\u00fc bir arg\u00fcmand\u0131r. Aya\u011fa kalmak isteyenler sanata m\u00fczi\u011fe edebiyat sar\u0131lmal\u0131…<\/span><\/p>\r\n

<\/span><\/p>","protected":false},"excerpt":{"rendered":"

\u015eER\u0130F AYDIN Sanat\u0131n, \u015fiirin, m\u00fczi\u011fin g\u00fcc\u00fc bir toplumu esir s\u0131n\u0131f\u0131ndan al\u0131p d\u00fcnyan\u0131n ilgiyle izlenenen s\u0131n\u0131f\u0131na koyabilir mi? \u201cEvet\u201d<\/p>\n","protected":false},"author":1,"featured_media":1104,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[5,18],"tags":[],"yoast_head":"\nNEGRO SANAT\u00c7ILARI ve HARLEM R\u00d6NESANSI - SES MAGAZINE<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.sesdergisi.ca\/?p=1103\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"NEGRO SANAT\u00c7ILARI ve HARLEM R\u00d6NESANSI - SES MAGAZINE\" \/>\n<meta property=\"og:description\" content=\"\u015eER\u0130F AYDIN Sanat\u0131n, \u015fiirin, m\u00fczi\u011fin g\u00fcc\u00fc bir toplumu esir s\u0131n\u0131f\u0131ndan al\u0131p d\u00fcnyan\u0131n ilgiyle izlenenen s\u0131n\u0131f\u0131na koyabilir mi? 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